A new identity for Cello – Kenta reviews Max Lilja’s “Morphosis”.

Lilja’s second album is truly diverse, while Max tried out Electronic music on a cello on his first album, Morphosis evolves in a new selection of different genres approached on the cello, from rock and metal-like sounds, passing through trance and even classical, and pieces that might fit as a horror movie soundtrack. Max Lilja has rebuilt the identity of the cello and his own by creating a new selection of sounds inside only one cello.

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